A character trying to get the reader’s attention
Sometimes one should allow oneself to take a break from one’s writing projects. That can be frowned upon in some quarters. A writer who isn’t writing isn’t a writer.
I guess if I never returned …
But, if I’m anything to go by, even away from writing (to enjoy more time with wife and family, for example) most writers’ minds are not far from their projects. Their most recent ones or ones in the wings. I am looking forward to returning to my latest, hoping to find I still like my sentences and ideas. (So a little fearful too.)
But in the mean time I am reading. Often I like to read about writing, but at the moment I appear to be having a break from that too. Instead, I am reading a brick of a tome about the building of a cathedral in 12th century England. It’s Ken Follett’s The Pillars of the Earth. This historical drama is also a mini-series, which I’m looking forward to viewing one day – but not until I’m through the book. It’s 1076 pages and I am a slow reader.
According to Jennifer Byrne, ABC presenter, Follett’s Pillars is one of the most successful international bestsellers of all time. It was sixteen weeks on the New York Times’ Bestseller List, number one in Canada, Great Britain and Italy, and, to top it all off, in Germany it was voted the third greatest book ever written.
Oh wow, who wouldn’t want to read it? Even if it equals the size of a cathedral corner stone.
The thing I am most enjoying about Follett’s writing, and why I believe his book is so popular (and no doubt his others), is his knack of seizing upon a marvellous action sequence and wringing it for all it’s worth. For example, the other day I read an engrossing scene where a bishop and some devious characters arrive at the monastery, ready to spoil the start of the cathedral building – only to have the tables turned on them. Does that sound boring? I reckon it does. Well, I’m telling you, it wasn’t. Why not? Well-paced action and good tension.
And now I’m reading about the engagement in battle of two evenly matched armies. Follett springs between two points of view, giving us close-ups from one character in the thick of the clash, and long shots from a priest watching from the cathedral roof. Do you know, this is probably my favorite scene of the whole book.
All writers reading books also have an analytical eye open. How could they not? For me, it doesn’t spoil the reading, it’s just another dimension. I am constantly looking out for what I can learn, what I can apply to my own writing. And I notice things I might do differently.
There are two such things in Pillars.
Ken Follett at times likes to communicate details several times over and in various ways, as if to make certain the reader will get it. I will never forget Mark Macleod, my mentor during a residency at Varuna Writers’ House, waving a page of my manuscript in my face and telling me: ‘Steven, it’s all right, we get it!’
To be honest, it’s one of the things I find most challenging about story writing: gauging when a reader gets it. Especially if the story idea or scene sequence is complex. It was very useful to have Mark point that out to me. Reassure me when I could stop. Now, once I’ve said something, I do my best to get out and not repeat it elsewhere, unless it’s for thematic deepening. If a reader misses an important point, that’s just how it is.
The second thing Ken Follett does that I know I would do differently, is include so much research. Perhaps this is a trait of historical dramas? Perhaps readers expect this genre to include highly specific details, for example on cathedral architecture, for a sense of accuracy and authenticity. I read little of this genre to know. I do love including detail in my own story writing, especially for visual colour, but I also love the movement of a story. And, as a reader, there is a point I reach in reading research-based information where I begin to feel disengaged from the story.
We’re all different.
Overall, as a writer, when I read I become restless. Reading fills me with excitement and anticipation for when I return to my own writing projects. But for now I will keep that in check and return to Follett’s drama about the building of a cathedral a long time ago in Kingsbridge, England.